Ryukyu Bingata

Bingata, one of the most representative traditional dyed products in Japan along with Yuzen and Edo komon, is the only dye technique in Okinawa Prefecture that has been extolled as the epitome of dynastic culture. Made from cotton, silk and basho (wild banana fiber) cloth, production techniques for creating bingata include paper stenciling known as “katazuke” and “tsubuhiki”, in which patterns are printed freehand onto cloth using pressed wax. Bingata is largely divided into two major categories – the eponymous bingata, which features vibrant hues such as red and yellow, and ai-kata, which incorporates shades of indigo.

The exact origins of bingata remain unknown, but it is thought to have been conceptualized spontaneously through the influence of various dyeing techniques and dyed products introduced by, and imported from China, mainland Japan and other regions before the 15th century. Cherished by the noble class of the Ryukyu Kingdom, bingata enjoyed the patronage of royal officials and flourished under their support. With the abolition of the tributary system in 1879 however, the industry lost much of its political favor and entered a long period of decline. After WWII, efforts to revive bingata based on historical archives owned by the founding houses of bingata  (“bingata-sōke”) and records retrieved from outside of Okinawa allowed  “Ryukyu bingata” to be designated as a prefectural traditional craft on June 11th, 1974, and as a nationally designated traditional craft on May 31st, 1984.