Shuri Ori

Shuri-ori, made from thread derived from silk and fibers of raw wild banana bark, dyed in both chemical and natural plant dyes such as fukugi and Ryukyu indigo, is highly prized for its refined designs reflecting the tastes of Ryukyuan nobility, as well as a warmth and comfort characteristic of hand-woven fabric. Shuri, once the political and cultural heart of the Ryukyu Kingdom, flourished as the center of trade and distribution of locally produced fabric. Its storied past as a thriving and prosperous hub can be clearly seen in the rich and diverse variety of textiles that exist in Okinawa today.

In 1429, three independent principalities known as the Three Kingdoms were unified by the first king of the Ryukyu Kingdom, King Sho Hashi, who established Shuri as the capital of the kingdom. Shuri continued to prosper until the Meiji era (1868-1912), playing a central role in importing and applying techniques in fabric weaving and dyeing brought into the kingdom from China and abroad to create a tradition of textile production truly unique to the islands of the Ryukyus. In particular, the many types of kasuri as seen in the “Oezucho”, a collection of patterning for cloth presented as tribute to the kingdom, can be said to form the basis for all traditional Okinawan textiles. Although its traditional fabric production processes were devastated by WWII, efforts to rebuild the industry in Shuri after the war aided in its recovery, culminating in Shuri-ori, a combination of Shuri kasuri, Shuri hana-ori, dōtun-ori, hanakura-ori, and Shuri minsā, being recognized as a nationally designated traditional craft.